The vast majority of us have made needlessly extreme purchases sooner or later in our lives. When we have unlimited extra cash flow or just need to indulge ourselves – mentors, gadgets, absolute necessity passes show off a one-of-a-kind jacket. The repugnance of the black comedy of Quentin Dupieux Deer skin wonder what happens when fixation on a particular and expensive item of outerwear goes too far, thus leading to frightening results.
Also Read – Stillwater: Synopsis, Cast & Release Date
How did it start?
Deer skin opens with a waiting shot of Georges (Jean Dujardin) seeing his photo on various reflective surfaces wearing his exhausting corduroy jacket. A terrible connection before stuck neutral air the said jacket in the latrine of a gas station. At that moment, Georges comes out of his step to react to an advertisement for a new bomber jacket in lined suede leather. He won 7,500 euros later, as it would be natural for him to âkiller styleâ. After his angry wife blocks his access to their shared account. Georges chooses to act as a non-traditional film director to immerse himself in Denise (AdÃ¨le Haenel). A pleasant, hopeful proofreader working in a bar, her reserve funds subsidizing the false films of the two Georges and her more obscure practices.
You never really find out much about Georges – his work, where he comes from, what his experience is and what his inclinations are. Just that he has a powerless desire for clothes and an addicting character. His new jacket makes him a total individual, an individual who is finally seen in light of his exceptional design decisions and the appeal his clothes give him. Someone who has an intriguing story to tell in the guise of a producer.
Learn more about the buckskin jacket
The jacket is a character with a character of its own. Georges speaks with him (putting on a marginally extraordinary voice as the camera shoots in the center to do so). He seems to look at him vulgarly while he is resting and bearing in mind that he is showering. He will make sure that they are never separated for long. He’ll never give up the jacket no matter how broke he is. He will rather throw his wedding ring in a seedy hostel work area than sell the camcorder that was thrown away with the purchase of the jacket. Since it is a fundamental prop that goes with her newly developed character.
With her fantasies of being an expert in proofreading, Denise obviously understands perfectly the strategy of making a film and can detect signs of fraud. However, regardless of whether he apparently saw right through George’s stupidity from the start. She is still fooled when he offers her a job opportunity. It effectively detects that “the real subject of the film is the jacketÂ»And begins to collect the scattershot that Georges brings him. This component of the account ends with the breaking of the fourth divisor.
The only person to wear a buckskin jacket
In no time, Georges’s fixation on wearing the ideal buckskin jacket turns into a fantasy of being “the only person wearing a jacket on the planet“. So under the affectation of making his exploration film, he sets out to cross the great French country and to free individuals. Using increasingly ferocious means, from the relative multitude of jackets he can discover , making them swear to “never wear a jacket while I live” and ensuring that that guarantee is upheld. This is where the film’s tone ostensibly shifts from whimsical to dull and overwhelming. George’s undeniably terrifying criminal conduct through Denise’s eyes, her and us watching the recording he carries her captivated with so much fervor and revulsion.
Dujardin and Haenel are a winning mix, their characters a mismatched copy each corresponding to their own fantasies. One unbalanced and manipulative and the other energetic but seemingly innocent. Dujardin continues his successful series of exhibitions of primordial people that began with Michel Hazanavicius The artist and Haenel continues his series of strong and energetic turns with hidden depths following closely behind Portrait of a Lady on Fire.
Buckskin is actually a twist, but it’s a peculiar, overall, and pleasantly unnatural little comic horror. At just 77 minutes, there’s not an ounce of fat, however, with a little more leeway. This might have dug more into research projects on the brains of deformed people or the metatextual part of the remark about a movie inside a movie that has a similar message to the movie we’re watching. Try not to take any lesson from this story in a real sense, or basically make sure the jacket you’re ready to kill for is really the whole thing in the set.